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This restriction forced Japanese filmmakers to develop sometimes elaborate means of avoiding showing the "working parts", as author Donald Richie puts it.To work around this censorship, most Japanese directors positioned props—lamps, candles, bottles, etc.—at strategic locations to block the banned body parts.This website is an enormous porn library where you will find raw action. Forget about forwarding stupid dialogs and other stuff.

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Kobayashi remained active in directing pink films until the 1990s.Many theaters swapped 35mm for video projectors and began relying on old videos to meet the demand of triple-feature showings.This article places the pink film in the larger context of postwar erotic cinema.Among the most influential independent studios producing pink films in this era were Shintōhō Eiga (the second studio to use this name), Million Film, Kantō, and Ōkura.His most controversial early films dealing with misogyny and sadism are The Embryo Hunts In Secret (1966), Violated Angels (1967), and Go, Go Second Time Virgin (1969).Pink films became wildly popular in the mid-1960s and dominated the Japanese domestic cinema through the mid-1980s.

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